What has Dayton wrought and where do we go from here? Bosnian policy analysts and activists Gorana Mlinarević and Nela Porobić Isaković bring a feminist perspective to discuss the reality and legacy of the Dayton Peace Accords after a quarter… Continue Reading →
A Serbian and a North Macedonian graphic designer discuss Yugoslavian design as an inspiration for their work.
Two members of the Serbian diaspora share their experiences leaving former Yugoslavia, making a new life in South Africa and the United Kingdom, and staying connected with their disappeared homeland. Plus a listener’s letter from Australia.
Mitja Velikonja. Rock’n’retro: Novi jugoslavizem v sodobni slovenski popularni glasbi / Rock’n’Retro: New Yugoslavism in Contemporary Popular Music in Slovenia. Translated from the Slovenian by Olga Vuković. Ljubljana: Založba Sophia, 2013.
Donald Niebyl discusses the origin story and notoriety of his project, Spomenik Database, and the fetishization of Yugoslav-era World War II monuments.
Foreign-born, Belgrade-based tour operators, Ralph van der Zijden, from the Netherlands (iBike Belgrade & Yugotour), and Tiago Carruco, from Portugal (Into the Balkans), share the stories of their respective businesses and how the covid pandemic has affected them.
Historian Ivo Goldstein identifies the roots and actors of historical revisionism in Croatia.
A roundup of Yugoslavia-related news for the month of September 2020.
President Goran Gabrić takes me on a walking tour of Mini Yugoslavia.
The phenomenon of Yugonostalgia continues to elicit attention from the media and academics.
Elma Hodžić, curator at the Historical Museum of Bosnia and Herzegovina, discusses the museum’s memory-making activities and Bosnian post-war identity.
Art historian Vladana Putnik Prica of the University of Belgrade discusses inappropriate monuments, foreigners’ interest and generational differences in locals’ perception of spomeniks, and nostalgic songs.
A roundup of Yugoslavia-related news for the month of August 2020.
Petar Janjatović, author of Ex-YU Rock Encyclopedia 1960-2015, discusses the endurance of Yugoslav rock and the political power of music.
Martin Pogačar, PhD, a research fellow at the Ljubljana-based Institute of Culture and Memory Studies, discusses the subversiveness of Yugoslav pop-culture and Yugoslavia’s digital afterlives.
Sanja Horvatinčić, PhD, a researcher at the Institute of Art History in Zagreb, applies a bottom-up, heritage-from-below methodology to analyze Yugoslav WWII monuments and modernist architecture.
A roundup of Yugoslavia-related news for the month of July 2020.
Mario Milaković, the founder of Yugodom, a stay over museum of mid-century modern Yugoslav design, discusses his creation, tourism, and Yugonostalgia.
I, the creator, producer, and host of the Remembering Yugoslavia podcast, Peter Korchnak, tell the project’s origin story.
Ethnomusicologist Ana Hofman discusses the history and revival of Yugoslav Partisan songs, performed today by activist choirs around former Yugoslavia. Featuring Partisan songs by Zbor Praksa and KIC Pop Hor.
The inaugural episode of Remembering Yugoslavia is all about the Yugo car.
Remembering Yugoslavia started with an idea of covering various aspects of the disappeared country’s memory politics, from Tito to products to architecture.
Dino Abazović and Mitja Velikonja, eds. Post-Yugoslavia: New Cultural and Political Perspectives. London: Palgrave Macmillan, 2014.
Pinkove zvezdice is an American Idol-like program of the Serbian TV Pink in which children perform. One of the stars of recent years is Katarina Radulović.
Zala Volčić. Serbian Spaces of Identity: Narratives of Belonging by the Last “Yugo” Generation. New York: Hampton Press, 2011.
A number of companies in the capital cities of ex-Yugoslavia provide tours in vintage Made-in-Yugoslavia vehicles.
And, finally, a big farewell kiss to my beloved Yugoslavia. We probably won’t meet again, dear, but nothing will ever replace you in my heart.”
Vlad Beronja and Stijn Vervaet, eds. Post-Yugoslav Constellations: Archive, Memory, and Trauma in Contemporary Bosnian, Croatian, and Serbian Literature and Culture. Berlin: De Gruyter, 2016.
“Yubilej: Ja sam Jugoslovenka,” Novosti, 11/30/2018
Leksikon YU Mitologije (Lexicon of YU Mythology) is a collaborative 2004 book, and an ongoing online project, compiling 800+ short narratives of Yugoslavian popular culture.
Thirty-five years ago today the 1984 Sarajevo Olympics started. The event was Yugoslavia’s proudest moment in the final years of its existence.
A CD released in 2012 compiled 23 songs by bands from across former Yugoslavia to promote anti-fascism and anti-fascist activism.
Lepa Brena was the most famous Yugoslav singer of the 1980s. Today she continues to personify Yugoslavia to many.
Yugoslavia has been resurrected and continues to exist on the world wide web.
Ana Petrov. Jugoslovenska muzika bez Jugoslavije: koncerti kao mesta sećanja. Beograd: Delfi, 2016.
Jože Pirjevec. Tito and His Comrades. Madison: University of Wisconsin Press, 2018.
Dalibor Mišina. Shake, Rattle and Roll: Yugoslav Rock Music and the Poetics of Social Critique. London: Routledge, 2013.
Jurica Pavičić, “HRVATSKA JE IZVUKLA NAJVEĆU DOBIT IZ JUGOSLAVIJE! Vladajuća ideologija drži se mita da je to bila negacija hrvatskog identiteta, a istina je suprotna,” Jutarni List, 2/19/2018 [pdf]
I, who have lost my homeland, want to congratulate everyone who has realized their heavenly, thousand-year-old dream and gained a homeland.
A 2012 song and video by the Bosnian rapper Haris Rahmanović AKA Priki, 31, imagined what Yugoslavia may have looked like had it never disintegrated.
“OVO JE POSLJEDNJI TITOV GRAD NA PROSTORIMA BIVŠE JUGOSLAVIJE ‘Kada bih mogao dignuti Broza iz groba i leći tamo umjesto njega, ja bih to učinio odmah’,” Jutarnji List, 3/11/2018 [pdf]
It’s a poor sort of memory that only works backwards.
Dimitar Anakiev, “Zašto sam Jugosloven?” XXZ Magazin, 12/20/2018 [pdf]
Ana Hofman. “Tabu na sećanja: Bolest zvana jugonostalgija.” Nova srpska politička misao: časopis za političku teoriju i društvena istraživanja. 11/5/2007.
In December 2016, The Calvert Journal ran a story about a revival of Partisan songs in the Balkans, driven by “activist choirs.”
The most painful state of being is remembering the future, particularly one you can never have.
General Consulate of the Socialist Federal Republic of Yugoslavia is a nonprofit based in Tivat, Montenegro, promoting the former country.