Travel writing about ex-Yugoslavia exploded in the 1990s as the country disintegrated in violence. The lessons the author of the first such account, Brian Hall, learned when he traveled through then-Yugoslavia in 1991 resonate today more than ever.
Two photographers born in former Yugoslavia and living abroad, Olja Triaška Stefanović (Novi Sad, Serbia / Bratislava, Slovakia) and Dragana Jurišić (Slavonski Brod, Croatia / Dublin, Ireland) have (re)claimed the memory of their disappeared homeland through their art.
…or New Yugoslavism in Contemporary Popular Music in Former Yugoslavia Parallel to Yugonostalgic enjoyment of Yugoslav-era music across the region, another related musical phenomenon emerged in the 1990s: original music glorifying Yugoslavia.
…or A Field Report from the Days of AVNOJ Every last Saturday in November, several thousand people from all across former Yugoslavia gather in Jajce for Days of AVNOJ, an official celebration of Yugoslavia’s founding
What has Dayton wrought and where do we go from here? Bosnian policy analysts and activists Gorana Mlinarević and Nela Porobić Isaković bring a feminist perspective to discuss the legacy of the Dayton Peace Accords after 25 years of implementation.
A Serbian and a North Macedonian graphic designer discuss Yugoslavian design as an inspiration for their work.
Two members of the Serbian diaspora share their experiences leaving former Yugoslavia, making a new life in South Africa and the United Kingdom, and staying connected with their disappeared homeland. Plus a listener’s letter from Australia.
Donald Niebyl discusses the origin story and notoriety of his project, Spomenik Database, and the fetishization of Yugoslav-era World War II monuments.
Foreign-born, Belgrade-based tour operators, Ralph van der Zijden, from the Netherlands (iBike Belgrade & Yugotour), and Tiago Carruco, from Portugal (Into the Balkans), share the stories of their respective businesses and how the covid pandemic has affected them.
Historian Ivo Goldstein identifies the roots and actors of historical revisionism in Croatia.
President Goran Gabrić takes me on a walking tour of Mini Yugoslavia.
Elma Hodžić, curator at the Historical Museum of Bosnia and Herzegovina, discusses the museum’s memory-making activities and Bosnian post-war identity.
Art historian Vladana Putnik Prica of the University of Belgrade discusses inappropriate monuments, foreigners’ interest and generational differences in locals’ perception of spomeniks, and nostalgic songs.
Petar Janjatović, author of Ex-YU Rock Encyclopedia 1960-2015, discusses the endurance of Yugoslav rock and the political power of music.
Martin Pogačar, PhD, a research fellow at the Ljubljana-based Institute of Culture and Memory Studies, discusses the subversiveness of Yugoslav pop-culture and Yugoslavia’s digital afterlives.
Sanja Horvatinčić, PhD, a researcher at the Institute of Art History in Zagreb, applies a bottom-up, heritage-from-below methodology to analyze Yugoslav WWII monuments and modernist architecture.
Mario Milaković, the founder of Yugodom, a stay over museum of mid-century modern Yugoslav design, discusses his creation, tourism, and Yugonostalgia.
I, the creator, producer, and host of the Remembering Yugoslavia podcast, Peter Korchnak, tell the project’s origin story.
Ethnomusicologist Ana Hofman discusses the history and revival of Yugoslav Partisan songs, performed today by activist choirs around former Yugoslavia. Featuring Partisan songs by Zbor Praksa and KIC Pop Hor.
The inaugural episode of Remembering Yugoslavia is all about the Yugo car.
Remembering Yugoslavia started with an idea of covering various aspects of the disappeared country’s memory politics, from Tito to products to architecture.