Art, bravery, and community in the lesser known corner of the former country.
On February 19th, 2015, Clemente Padín, the elder statesman of Uruguayan art, replied to an email from his compatriot and young artist Francisco Tomsich with a fateful attachment:
Artists have used Yugoslav World War II monuments as elements in their works to criticize official policies
Vlad Beronja and Stijn Vervaet, eds. Post-Yugoslav Constellations: Archive, Memory, and Trauma in Contemporary Bosnian, Croatian, and Serbian Literature and Culture. Berlin: De Gruyter, 2016.
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