Artists have used Yugoslav World War II monuments as elements in their works to criticize official policies
How and when did the world’s fascination with Yugoslav socialist monuments begin?
Donald Niebyl discusses the origin story and notoriety of his project, Spomenik Database, and the fetishization of Yugoslav-era World War II monuments.
Art historian Vladana Putnik Prica of the University of Belgrade discusses inappropriate monuments, foreigners’ interest and generational differences in locals’ perception of spomeniks, and nostalgic songs.
Sanja Horvatinčić, PhD, a researcher at the Institute of Art History in Zagreb, applies a bottom-up, heritage-from-below methodology to analyze Yugoslav WWII monuments and modernist architecture.
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